Audience Talkback

The Eyes Of Me Finishes Community Cinema Run And Airs Tomorrow

Throughout the month of February, Community Cinema welcomed thousands of guests to our 47 free screening events for Keith Maitland’s documentary The Eyes Of Me. The Eyes of me airs tomorrow Tuesday, March 2 on Independent Lens at 10:00 PM on most PBS stations (check local listings).

Filmmaker Keith Maitland attended our screening in Houston presented locally by HoustonPBS. He shares his experience at the event.

Patrick Floyd, the producer of The Eyes of Me, and Keith Maitland, the director, at the HoustonPBS Community Cinema Screening of their film.

Patrick Floyd (left), the producer of The Eyes of Me, and Keith Maitland (right), the director, at the HoustonPBS Community Cinema Screening of their film.

“With more than 125 audience members in attendance –– many of them blind or visually-impaired –– HoustonPBS hosted a wonderful Community Cinema screening of The Eyes of Me. It’s always exciting for me to be able to sit in a crowded theater and share the film with a new audience but there was something very special about this particular screening. Along with producer Patrick Floyd, I was happy to travel to Houston from Austin, Texas, to experience Community Cinema firsthand. Meagan McComic (one of the main characters from the film) and Bill Daugherty, superintendent of the Texas School for the Blind and Visually Impaired (TSBVI), joined Patrick and I on the panel after the film, to share their reflections and perspectives with the Houston community –– many of whom had ties to TTSBVI directly. Two of the audience members were alumni of TSBVI –– Michael Garrett, class of ‘69, and Bernice Klepak, class of ‘55. It was exciting to hear Michael and Bernice’s response to the film, and the contrasts between their days at the school and the stories of Chas, Meagan, Denise, and Isaac represented in the film. Bernice was impressed with how honest and natural today’s students were compared to her days when she feels that they were all “pretty straight-laced.”

Meagan McComic (right), one of the subjects of The Eyes of Me, with her mom at the HoustonPBS Community Cinema screening.

Meagan McComic (right), one of the subjects of The Eyes of Me, with her mom at the HoustonPBS Community Cinema screening.

At this screening, as we have done at all of our festival screenings before this, we were able to offer live audio description through the use of wireless receivers and transmitters. This system (provided by a grant from the Austin Film Society) gives blind and visually-impaired audience members the opportunity to hear an additional audio track that offers visual information, and reads onscreen text, so that users can experience the film as fully as any audience member. Use of this technology offers accessibility and also educates sighted audience members about accessibility. It’s not surprising that most people have never heard of or considered audio description, we didn’t know about it before making the film either, but I’m happy to be an advocate for accessible media and accessible websites too! (Our website, http://EyesofMe.com, is fully accessible via use of screen reading software, and we offer a fully accessible trailer that is both audio described, and open captioned for the hearing impaired.) What made Community Cinema such a great screening event was that the audience was so active and engaged. The Q&A following the film was a mixture of questions and comments about the film, the specific characters and stories, as well as how themes within the film affected the local community. It was exactly what we’ve hoped Community Cinema would be –– it was wonderful. Thanks so much HoustonPBS.”

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Environmentalists Talk Trash in Oakland and San Francisco


On Wednesday, January 27, Garbage Dreams was screened at Oakland’s Asian Cultural Center. The screening was packed by audience members from every demographic and every age group, including an entire fifth grade class from the Lighthouse Community Charter School. Audience members were struck by the degree to which the Zaballeen managed to find a use for everything. Many attendees were inspired to integrate this consideration into their own lives and think more about the value of the things they view as trash. The screening was followed by an exciting discussion featuring panelists, Monica Wilson, International Co-coordinator at the Global Alliance for Incinerator Alternatives (GAIA), Aaron Ableman, Co-Founder of Communitree, and Ambessa Cantave, Co-Founder of Grind for the Green and Oakland Climate Justice Activist. Following is a video including interviews with panelist, Ambessa Cantave and a few of the audience members. A week before this screening, on Tuesday, January 19th, the San Francisco Main Library also hosted a screening of Garbage Dreams.

This screening was also followed by a very interesting discussion. Panelists, Kevin Drew, Residential Zero Waste Coordinator at the San Francisco Department of the Environment, Neil Tangri, Climate Change Campaign Director at the Global Alliance for Incinerator Alternatives (GAIA), and Bradley Angel, Executive Director at GreenAction, had some very eye-opening things to say about recycling:

“When you burn this stuff (trash), no matter how state-of-the-art, no matter how conscientious the company, you are getting emissions of the most toxic substances known to science- that are having a profound effect on our population worldwide.”
-Neil Tangri, Climate Change Campaign Director, Global Alliance for Incinerator Alternatives (GAIA)

“The fact of the matter is, companies are producing stuff for which there is no solution and they take no responsibility. And it’s left in the hands of Kevin (San Francisco Department of the Environment) and your tax dollars to solve that problem…If you can’t recycle it, if you don’t have a plan for it, you shouldn’t be producing it in the first place.”
-Bradley Angel, Executive Director, GreenAction

“We really shouldn’t be shipping things a long way away, we should be trying to live locally to the extent that we shouldn’t expect to get avocados year-round or other things, until very recently, we didn’t get year-round. Living within our means from a local ecosystem sense is where you’re going to find the right answer.”
-Kevin Drew, Residential Zero Waste Coordinator, San Francisco Department of the Environment

“If the waste pickers in Cairo can do eighty percent, I think San Francisco can do eighty percent as well.”
-Neil Tangri

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Garbage Dreams Events Make People Look At Garbage Differently: Houston

Producing Partners are local community organizations that co-present Community Cinema screenings across the country. Last night, HoustonPBS screened the Independent Lens film Garbage Dreams. Filmed over four years, the film follows three teenage boys born into the trash trade and growing up in the world’s largest garbage village, a ghetto located on the outskirts of Cairo. Manar Hindi, Community Cinema assistant coordinator, talks about the event and how she’ll never look at trash the same way again.

Harry Hayes talks with audience members after the Community Cinema screening and panel discussion.


Speakers Harry Hayes, director of the city’s Solid Waste Management Department; Dr. H.C Clark, professor at Rice University; and Cindy Yepez of the Houston Green Scene.


I’ve always wondered what happens with my trash. It seems to magically disappear each week and I don’t really have any idea what happens to it or what impact it has on my community. Well that all changed last night. What I learned at the HoustonPBS Community Cinema screening of Garbage Dreams was fascinating.

Houston recycles about 22 percent of its solid waste. While the number shows an improvement, we still lag behind cities like Portland (63 percent) and San Francisco (72 percent). Harry Hayes, director of the city’s Solid Waste Management Department, said that one of the things needed to increase the number of people recycling in Houston is legislation. He talked about how people in San Francisco are fined if they don’t recycle properly. He said if people are really concerned about recycling they need to contact their elected officials.

One audience member asked what he could do to implement a recycling plan in his apartment building, since there was no real precedent for him to follow. Mr. Hayes’ answer was that there was no “curbside” pick up currently for apartment building, so his suggestion was to speak with the owner’s of the apartment building about possibly hiring a private company to collect and haul the recyclables away.

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Join the Community Cinema Facebook Fan Page for a Chance to Win a Free iPod

Become a Fan on Facebook

Become a Fan on Facebook. You could win an iPod!

Like watching movies for free? Want to win a free iPod?

Become a Facebook Fan in a few simple steps:

Step 1: Take a quick read of the rules below.*
Step 2: Click on this link to go to our Facebook Fan Page – http://facebook.com/communitycinema
Step 3: BECOME A FAN! There’s a link on the left hand side below the Community Cinema logo
Step 4: (optional, but nice) Invite your friends to become fans of Community Cinema. You’re done!

Community Cinema is a FREE monthly screening series that features films from the Emmy Award-winning PBS series Independent Lens. In over 50 cities nationwide, screenings are followed by lively panel discussions that bring together citizens, organizations and public television stations from your community.

This month, we’re giving away two iPod shuffles exclusively to our Facebook Fans*. Connect with others from across the country and discover cutting-edge documentaries, film premieres and special screenings near you.

Do you Tweet? Follow us on Twitter for quick links to event listings and more in-depth info about upcoming screenings, filmmakers and events.  Post your photos and videos. And, start your own conversation. Follow us now >>

*Contest began Monday, November 16, 2009 at 5:00 PM PST. Contest closes and two iPod Shuffle winners will be drawn at random by ITVS at 5:00 PM PST on December 15, 2009 from those people and groups who became and remained a fan of Community Cinema on Facebook through 5:00 PM PST on December 15, 2009. Winners will be notified via Facebook message. Winners have 10 days to claim their prize before another winner will be drawn. ITVS staff, partners, and contractors are not eligible to win. Contest open to residents of the U.S.

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COPYRIGHT CRIMINALS Demystifies Sampling from its Roots in Early Hip-Hop to Modern Day Video Mash-ups

Kembrew McLeod, co-producer of COPYRIGHT CRIMINALS with writer Tony Berman of Berman Entertainment and Technology Law, featured in the film.

Kembrew McLeod, co-producer of COPYRIGHT CRIMINALS, answers questions from the audience with Tony Berman of Berman Entertainment and Technology Law, who is featured in the film.

From our first event at the Saratoga Springs Public Library in Saratoga Springs, New York on October 3 to our last two events on October 29 in Charleston, South Carolina and Indiana, Pennsylvania we’ve thrilled audiences with live DJs, hip-hop dancers, and fascinating panelists from musicians to lawyers. Co-producer of COPYRIGHT CRIMINALS Kembrew McLeod told us “I feel honored to be part of the Community Cinema program which has allowed the film to be seen far and wide by a diverse range of audiences. Plus, it’s free. Who doesn’t like free?”

For more than 30 years, as hip-hop evolved from the urban streets of New York to its current status as a multibillion-dollar industry, hip-hop performers and producers have been reusing portions of previously recorded music in new, otherwise original compositions. But when lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” Through interviews with many of hip-hop music’s founding figures—like Public Enemy, De La Soul and Digital Underground—along with emerging artists such as audiovisual remixers Eclectic Method, COPYRIGHT CRIMINALS by Benjamin Franzen and Kembrew McLeod illuminates both sides of the debate, from traditional musicians who view sampling as pillaging to those who argue that the practice of borrowing is by no means new nor is it unique to hip-hop or even music: Think of Andy Warhol’s Campbell’s soup cans.

rjd2 talks to audience members after screening on TwitpicWith OVER 50 free screening events from coast to coast audiences were able to sample the flavor of hip-hip and electronic music first-hand from some of the subjects featured in the film. The Philadelphia event featured worldwide DJ sensation based in Philly, RJD2 (RJ Krohn – pictured to the right, on the left). The photo is a TwitPic uploaded live from the event.  Our event in Oakland welcomed DJ legend Jeff Chang. Local hip-hop radio DJs hosted events in St. Louis and Seattle. In Seattle, KUBE 93 FM DJ Hyphen who co-hosts “Sunday Night Sound Session” introduced the film. “Sunday Night Sound Session” airs every Sunday night at 10:45 PM. “J. Moore and I offer listeners the newest, dopest hip-hop from all around the country, including local music from our own backyard,” boasts DJ Hyphen. Tune in around the Puget Sound Region or online worldwide. DJ Hypen introduced COPYRIGHT CRIMINALS and left the audience with some things to think about while watching the film.

Read on for more video clips, photos, and community connections.

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Recent Talkback About Independent Lens & Community Cinema This Month

Always thought-provoking, sometimes controversial, Independent Lens and Community Cinema bring you documentaries, dramas, shorts and Web-exclusive projects made by independent thinkers. Check out some of the recent Talkback from viewers about films airing this month and from recent Community Cinema events.

HERB & DOROTHY

“What an inspiring film! If the Vogels are ‘greedy,’ it is yet a selfless compulsion–the best kind–that recognizes beauty and the persons that grow with the art. And thanks to the filmmaker who persevered to tell this intimate, quirky story.”

Posted by: Cynthia Pon on October 15, 2009

“Congratulations to all: Herb and Dorothy for your beautiful collections and sharing your love of each other and your wonderful collections. PBS you did your viewers a great service by bringing us this magnificent presentation… It touched my heart as I am sure it did others. Thank you very much.”

Posted by: Nancy on October 14, 2009

“What an informative film, captivating. Thank you to the Vogels for sharing their story with all of us and especially for supporting artists for so many years. And thank you for the gift to the National Gallery of Art.”

Posted by: Patricia Macklin on October 14, 2009

View more Talkback and submit your own for HERB & DOROTHY >>

COPYRIGHT CRIMINALS

Guests at this month’s Community Cinema preview events for COPYRIGHT CRIMINALS have strong opinions about the topics raised by the film. One of Seattle’s foremost hip-hop DJs, DJ Hyphen of KUBE 93 FM, talked to us about a few of the film’s topics in the lobby before the film. He observes, “There is a fine line between borrowing and stealing.”

Read and watch more TalkBack from viewers and Community Cinema goers…

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Wednesday, October 28th, 2009 All Video, Audience Talkback Comments

Seattle Has Something To Say About COPYRIGHT CRIMINALS

KUBE 93 FM is Seattle's #1 Hip Hop and R&B Radio Station

KUBE 93 FM is Seattle's #1 Hip Hop and R&B Radio Station

This past Saturday, Community Cinema Seattle presented COPYRIGHT CRIMINALS at the SIFF Cinema at Seattle Center, a 74-acre campus at the north end of downtown home to more than 30 cultural, educational, sports, and entertainment organizations.  The film, about sampling in music and who really owns a sound, resonated deeply in a town with so many musical interests. Seattle is the birthplace to grunge but is also one of America’s urban centers where positive hip-hop is drawing a large following (Blue Scholars, Gabriel Teodros, and others). Music in Seattle is a true mash-up. We screened COPYRIGHT CRIMINALS in the lecture hall theatre shared by the Seattle Opera, the Pacific Northwest Ballet, and the Seattle International Film Festival.  One of Seattle’s foremost hip-hop DJs, DJ Hyphen of KUBE 93 FM, talked to us about a few of the film’s topics in the lobby before the film. He observes, “There is a fine line between borrowing and stealing.”

The film suggests that sampling is similar to other forms of reproduction in art, but DJ Hyphen suggests that because the art – in this case – is hip hop music that the same rules do not apply.

DJ Hypen also introduced the film for the entire audience and left them with a few things to consider while watching the film.

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D TOUR Events Draw Potential Donors and Increase Awareness of Organ Donation

(left) D TOUR director Jim Granato and (right) June R. Wallace, Community Affairs Coordinator, California Transplant Donor Network at the Oakland Asian Cultural Center

(left) D TOUR director Jim Granato and (right) June R. Wallace, Community Affairs Coordinator, California Transplant Donor Network at the Oakland Asian Cultural Center

Throughout the month of September, Community Cinema presented free preview screenings of the documentary D TOUR. Each of the 36 events between September 1 and September 29 connected audience members with information about local organ donation registries and shared the stories of transplant recipients and the donors who saved their lives. The emotionally moving film follows indie rock drummer Pat Spurgeon on a “dialysis tour” as he waits for a kidney transplant match and tours with his band, Rogue Wave.  The film lead to many deeply personal and heartfelt discussions with speakers afterward. When D TOUR airs nationally on PBS on the Emmy Award winning series Independent Lens on November 10, 2009 (check local listings) you can still easily connect with the local donor registry in your area.

And, you should.  The need is dire.  Every 13 minutes another person is added to the national organ transplant waiting list. One in nine American adults— more than 20 million –have kidney disease, and most don’t know it.  Nationally,  about 106,000 people are awaiting transplants of all kinds. In the Puget Sound region around Seattle there are over 1600 people waiting. In the DC area alone, there are nearly 2,000 people waiting desperately for an organ to save or enhance their lives.  More than 3,400 individuals live in the New England region waiting for a life-saving organ transplant.  20,000 people on the wait list live in California.

Every D TOUR event gave audience members a chance to hear the local stories of transplant recipients, donors, doctors, nurses, and/or those living their lives while waiting for a life-saving organ transplant.

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By Erik Rasmussen