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Revisiting Sentenced Home and the Case of Many Uch
Filmmakers Nicole Newnham and David Grabias
Sentenced Home aired back in 2007 on Independent Lens and put a human face on a controversial immigration policy. The film followed three young Cambodian Americans, raised in inner-city Seattle, each of whom faced deportation for mistakes they made as teenagers. Filmmakers Nicole Newnham and David Grabias provide an update on the case of Many Uch, one of the three subjects featured in Sentenced Home.
In June, 2007, Many Uch decided to apply for a pardon for his 1994 crime from Christine Gregoire, the governor of Washington State. Although we knew it was a long shot, it was something that we had been hoping he would do for quite a while. We met Many while filming Sentenced Home in 2003, and we were struck by his gentle soul and his extraordinarily thoughtful perspective on his difficult situation: in limbo, living with the constant threat of an order of deportation to Cambodia.
YOUNG@HEART Was Community Cinema’s Holiday Gift To Our Audiences
Young@Heart director Bob Cilman doing a run-through of the James Brown classic "I Feel Good"
As a gift to our audiences, Community Cinema presented the heart-warming and inspiring hit documentary YOUNG@HEART this past December 2009. Many of our over 42 free events included live performances. Exceptional seniors shared their talents and personal stories of courage, persistence, and triumph in the face of adversity.
Our national partners created unique ways for audiences to learn more about the link between creativity, culture, and aging. The mission of the National Center for Creative Aging is to foster an understanding of the vital relationship between creative expression and healthy aging and to developing programs that build on this understanding. Learn more about their public awareness campaign “The Art of Aging: Creativity Matters” and the center’s free online resource guide “Creativity Matters: The Arts and Aging Toolkit.”
WTTW Reception for young musicians and their families at the Chicago Cultural Center
Local partners connected our audiences with “on the ground” resources to turn the passion they experience during the film into action in their community. Audience members have said after an event, “I’m going to look for a local choir for my husband!” and “Made me want to join a chorus even if I can’t sing.” Our partners included such distinguished and esteemed partners as the Jazz Institute of Chicago, WTTW Channel 11, the Chicago Department of Cultural Affairs, the Brattleboro Museum and Art Center (BMAC), KETC, the Missouri History Museum, the SIFF Cinema at Seattle Center, the Office of Los Angeles Mayor Antonio Villaraigosa, Office of Los Angeles Councilwoman Janice Hahn, Los Angeles Department of Cultural Affairs, San Pedro Chamber of Commerce, and Project:Involve. Project:Involve’s mission is to foster diversity in the film industry and to promote independent film making.
Our events included many super seniors who keep young at heart by performing their talents into their 70′s, 80′s, 90′s, and beyond. Watch videos and see photos from our events. › Continue reading
Unfolding BETWEEN THE FOLDS
In cooperation with OrigamiUSA and The Mathematical Association of America Community Cinema presented 42 free screening events for BETWEEN THE FOLDS a documentary by Vanessa Gould that delves deeply into the magical intersection of mathematics, science, and art that is paperfolding which is also known as origami. The film drew record-breaking crowds across the country.
Rodger Despres, a local Michigan paper folder, displays a 45-foot long paper model train that took him 1,500 hours to construct.
Our first free event for BETWEEN THE FOLDS took place at the fabulous Urban Institute for Contemporary Art in Grand Rapids, Michigan where Community Cinema is in its 3rd smash season. Emily Maurin, Community Cinema Producing Partner with WGVU, told us, “We were extremely lucky to have two amazing paper folders with us––Richard Alexander, one of the film’s participants, and Rodger Despres, a local paper folder who has constructed a 45-foot long paper model train. They each offered a different perspective on paper folding. Richard spoke about his artwork as well as his experiences making his own paper. Rodger discussed how he has used paper to engineer working train cars and tracks. He was very excited since Richard was the first paper folder he had met! They talked about how paper folding is almost a secret society that is just now emerging as a mainstream art.”
In the video below, director Vanessa Gould gives a behind-the-scenes look at what it was like making the film, how she worked with artists and a discusses a variety of issues related to independent filmmaking.
“Crease Is the Word!” Jim Ridley wrote in Nashville Scene about BETWEEN THE FOLDS at the Nashville Public Library. “Vanessa Gould’s documentary has received rapturous notices for concentrating on the intersection of art and science that the ancient paper-folding art represents.”
Mary Delach Leonard wrote in the St. Louis Beacon about our event at the Missouri History Museum. “Watching a former sculptor in France fold a flat sheet of paper into a three-dimensional human caricature … is worth far more than 1,000 words — which makes “Between the Folds” one of those unexpected documentaries you have to see to appreciate.” Read more>>
In St. Louis, approximately 340 people showed up for the viewing of the film at the Missouri History Museum. Sydney Meyer of Community Cinema Producing Partner KETC said, “I was amazed watching the diversity of people fill the auditorium and overflow onto the steps and the sides of the theater. People of all ages laughed and clapped at various parts of the film, signaling they understood what the artists were trying to communicate to them. After the film, the fun continued as more than 120 folks stayed to try their hand at paper-folding with artist Sugi Taylor. There was a lot of laughter and concentration as people attempted to make a paper box and bird.” As I walked around the tables, I heard comments like “I thought the simple figures would be easier. Now I admire the film artists even more!” or “I loved the film and I am amazed I can make this figure out of almost nothing… one simple square of paper.”
Director Vanessa Gould spent 3 days at 3 Community Cinema events in The Los Angeles area, and we were so lucky that she took time to write about it. › Continue reading
COPYRIGHT CRIMINALS Demystified Sampling from its Roots in Early Hip-Hop to Modern Day Video Mash-ups
Kembrew McLeod, co-producer of COPYRIGHT CRIMINALS, answers questions from the audience with Tony Berman of Berman Entertainment and Technology Law, who is featured in the film.
For more than 30 years, as hip-hop evolved from the urban streets of New York to its current status as a multibillion-dollar industry, hip-hop performers and producers have been reusing portions of previously recorded music in new, otherwise original compositions. But when lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” Through interviews with many of hip-hop music’s founding figures—like Public Enemy, De La Soul and Digital Underground—along with emerging artists such as audiovisual remixers Eclectic Method, COPYRIGHT CRIMINALS by Benjamin Franzen and Kembrew McLeod illuminates both sides of the debate, from traditional musicians who view sampling as pillaging to those who argue that the practice of borrowing is by no means new nor is it unique to hip-hop or even music: Think of Andy Warhol’s Campbell’s soup cans.
With OVER 50 free screening events from coast to coast audiences were able to sample the flavor of hip-hip and electronic music first-hand from some of the subjects featured in the film. The Philadelphia event featured worldwide DJ sensation based in Philly, RJD2 (RJ Krohn – pictured to the right, on the left). The photo is a TwitPic uploaded live from the event. Our event in Oakland welcomed DJ legend Jeff Chang. Local hip-hop radio DJs hosted events in St. Louis and Seattle. In Seattle, KUBE 93 FM DJ Hyphen who co-hosts “Sunday Night Sound Session” introduced the film. “Sunday Night Sound Session” airs every Sunday night at 10:45 PM. “J. Moore and I offer listeners the newest, dopest hip-hop from all around the country, including local music from our own backyard,” boasts DJ Hyphen. Tune in around the Puget Sound Region or online worldwide. DJ Hypen introduced COPYRIGHT CRIMINALS and left the audience with some things to think about while watching the film.
Read on for more video clips, photos, and community connections.
Independent Lens Submission Deadline: 9/24/2010
Independent Lens is currently accepting submissions for the October 2011-June 2012 season. Jointly curated by ITVS and PBS, we welcome a spectrum of independent documentary, including social issue, point of view, history, and animation. A number of short films are also accepted and broadcast each season.
The deadline to submit is Friday, September 24, 2010. For more information read the Independent Lens submissions FAQ. And to get a feel for some of our award-winning programs, check out trailers from this past season…
Ngôi Làng Mang Tên Versailles – (A Village Called Versailles)
Panelist Uyen Le is interviewed for Saigon TV KJLA
Community Cinema’s National Coordinator Desiree Gutierrez reflects on a screening of A Village Called Versailles held earlier this month before an entirely Vietnamese audience in Southern California.
As one of the National Community Cinema Coordinators, I am use to hosting screenings with diverse crowds, but Sunday night I had the chance to be the outsider at a screening of A Village Called Versailles hosted by Nguoi Viet Daily News in Orange County’s Little Saigon.
The newspaper was the first Vietnamese publication outside of Vietnam and has a rich history. As it was told to me, the newspaper originated out of a series of letters that traveled back and forth between Vietnam and the U.S. as people tried to track down their family members and friends after the war.
Tiffany Le a reporter at Nguoi Viet reached out to me last month wanting to learn more about hosting a screening of A Village Called Versailles. She knew the residents of her community would want to see the film, but as she pointed out, they would not drive to LA or West Hollywood to attend one of our already scheduled events. We made arrangements to host the film at the newspapers auditorium in the heart of Little Saigon.
The newspaper had given us tremendous media coverage. We had a feature with images run a few days before the screening, and an interview with the filmmaker run the day of the event, not to mention a half page ad in the World Cup edition of the paper. Needless to say, the Vietnamese community knew we were having an event and they turned out. Nearly 200 people and four media crews filled the auditorium, and as I had been warned, I the only “Westerner” in the room.
Ask Not Snags Outstanding Doc at GLAAD Awards
ITVS-funded Ask Not by Johnny Symons was honored for Outstanding Documentary at the GLAAD Media Awards earlier this month in San Francisco. Ask Not originally aired in June 2009 on Independent Lens and was a Community Cinema selection in May of 2009.
Equally important is the attention such an award will draw to the national debate over Don’t Ask Don’t Tell (DADT.) The film explores the genesis of that policy from its inception under then-President Clinton in 1993.
Ask Not sheds light on how DADT has prevented some of America’s most talented recruits from serving their country. Examples include skilled Arabic translators so desperately needed in Afghanistan and Iraq combat, ordered to be silent and celibate or else be removed from duty.
“This was a fun award to receive and a great acknowledgment of the film and the issue,” said Symons.
The hype around Ask Not could not come at a more relevant time. At his State of the Union address this past January, President Obama vowed to repeal DADT during his first term. Soon after, Chairman of the Joint Chiefs of Staff Adm Mike Mullen also denounced the policy before the Senate Armed Services Committee.
The film also recently aired on Capitol Hill to coincide with Congressional hearings on Don’t Ask Don’t Tell.
Congratulations to Johnny and his team!
Jerusalem Gay Bar as Metaphor for Peace and Unity
Filmmaker Yun Jong Suh
Filmmaker Yun Jong Suh discusses how she came to make a film about the only gay bar in Jerusalem. Her film, City of Borders, airs on public television this month. Check listings in your area here.
As a Buddhist Korean American, I am frequently asked why I am interested in the Middle East and how I discovered Shushan, Jerusalem’s only gay bar. I’m not the most obvious candidate to tell this story. But I believe my outsider status proved to be instrumental in making City of Borders.
I’m drawn to the Israeli-Palestinian conflict because I intimately relate to both sides of the war. Like the Israelis, I grew up in constant fear of my neighboring country, North Korea, attacking my small village in South Korea. I did not see North Koreans as humans but as demons determined to kill us if they had the chance. My childhood playtime often involved devising escape routes and places to hide in my home if North Koreans ever invaded.
Youth Activists Step Up in New Orleans
Part of the miraculous story of the neighborhood called Versailles in New Orleans rising from the floodwaters to rebuild itself and sustain its citizens after Hurricane Katrina was the unprecedented leadership role that the younger generation took.
Traditionally, the Vietnamese culture in both Vietnam and in this community’s adopted home in New Orleans reserved moral, ethical, and political leadership to the older generations. In the wake of Katrina, and now in the midst of a cataclysmic oil spill in the Gulf of Mexico, the younger generation is proving to be an indispensible link between the English-speaking establishment and the older generations of Vietnamese immigrants who, because of a language and cultural divide, cannot effectively speak for themselves.
In this web-exclusive behind-the-scenes footage, watch how the youth in Versailles stepped into a void and organized their community to rebuild its demolished infrastructure, and then fight off a cynical political ploy to locate a toxic waste dump next to their neighborhood:
Catch A Village Called Versailles at these free upcoming Community Cinema events in Fruita, Colorado; Charleston, South Carolina; Washington, D.C.; and Blaine, Minnesota.
New Orleans Vietnamese Community Impacted by BP Oil Disaster, but You Can’t Keep Versailles Down
The scale of the Deepwater Horizon oil spill in the Gulf of Mexico is nearly impossible to comprehend. Because the spill is an ongoing catastrophe, the scope of the devastation to local communities cannot even begin to be tabulated. A third to half of the commercial fishers in the spill area are Vietnamese. Again, the Vietnamese community in New Orleans is taking a huge proportion of the impact from this disaster.
A Versailles resident in a community where both young and older came together to protest a landfill in their backyard.
While British Petroleum has pledged to compensate fishers who are losing their livelihoods because of the spill, the choices they offer aren’t very appetizing: fishers may file a claim for up to $5,000 for losses related to the spill, or sign up for training to do oil clean-up work. In each case, they sign waivers agreeing to never hold the company liable for future losses or injury. The problem is, all of the paperwork — and all of the training — is in English, and most of the fishers cannot read or speak English, let alone understand legal fine print. BP has not provided any Vietnamese-speaking claims personnel to connect with this demographic.
Father Vien Nguyen, who rallied his community against a toxic landfill in the months after Katrina, is fighting back against BP’s seemingly cavalier approach to this devastated local economy and the Vietnamese people who keep it alive.
Watch A Village Called Versailles featuring Father Vien’s battle against the landfill in 2005, on Independent Lens Tuesday, May 25th on PBS (Check local listings).
And watch Father Vien’s update on what’s happening in Versailles since the oil disaster began:
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